Das (Ten) Mahavidyas idols are Goddess Tara, Kali, , Maha Tripura Sundari (or Shodasi-Sri Vidya), Bhuvaneshvari, Chinnamasta, Bhairavi, Dhumavati, Bagalamukhi, Matangi, and Kamala. These ten aspects of Shakti are the epitome of the entire creation. Worshiping idols showers divine blessings on devotees and removes all difficulties in their paths. It also guide spiritual seeker towards liberation approch spirit of reverence and love.

KALI – Ten Mahavidyas or wisdom aspects of the Divine Mother, Kali comes first, for she represents the power of consciousness in its highest form. She is at once supreme power and ultimate reality, underscoring the fundamental Tantric teaching that the power of consciousness and consciousness itself are one and the same.

TARA – In the succession of Mahavidyas, Tara comes second, immediately after Kali, whom she closely resembles. Just as Kali herself has many different aspects, so does Tara. Tara is prominent both in Tibetan Buddhism and in Tantric Hinduism, and her many aspects include forms that are either gentle (saumya) or fierce (ugra). The Hindu Sakta Tantra seems to prefer the fierce forms.

LALITA TRIPURA Sundari – Tripurasundari is sometimes spoken of as an adimahavidya, or primordial wisdom goddess, which puts her in the company of Kali and Tara as representing one of the highest experiences of reality. She is not the ultimate, absolute, or nirguna state devoid of all qualities; still, she represents the experience of consciousness in a high state of divine universality.

BHUVANESHWARI – The fourth Mahavidya is Bhuvanesvari, whose form closely resembles that of Tripurasundari. Even more than the goddess who is beautiful in the three worlds or transcends them, Bhuvanesvari is identified with the manifest world and our experience of it.

CHINAMMASTIKA – Chinnamasta (“she who is decapitated”) is a form of the Divine Mother shown as having cut off her own head. The blood that spurts from her neck flows in three streams—one into her own mouth and the others into the mouths of her two female attendants, Dakini and Varnini. At the same time, Chinnamasta she stands on the body of another female figure who is copulating with a male who lies beneath her.

BHAIRAVI – The name Bhairavi means “frightful,” “terrible,” “horrible,” or “formidable.” The basic idea here is fear. Ordinarily we associate fear with darkness. It is not uncommon to be afraid of the dark, or rather of the dangers that lurk there unseen, but that is not the sort of fear that Bhairavi provokes, for she is said to shine with the effulgence of ten thousand rising suns.

DHUMAVATI – If Bhairavi represents overwhelming brilliance, Dhumavati personifies the dark side of life. We know from our own experience that life can be exhilarating, joyful, and pleasant—something we want to embrace and live to the fullest. But at other times we find that this same life can be depressing, sorrowful, painful, and frustrating. At such moments we respond with pessimism, sadness, anxiety, or anger. It is then that we no longer want to embrace life but rather to avoid its misery.

BAGALAMUKHI – Is the one whose meaning is the most elusive. Her symbology varies widely, and its interpretation shows little consistency. The opinions of one informant often bear little relation to those of another, and even while making spiritually valid points they can seem rather arbitrary and disconnected. There is no satisfactory explanation even for Bagalamukhi’s name. The word bagala is not found in the Sanskrit lexicon, and attempts to link it to baka (“crane”) are less than convincing.

MATANGI – At first glance Matangi looks very much like Sarasvati. The main point of similarity is the vina that she plays. Like Sarasvati, she may be shown holding a book and a japamala as well. Together these symbolize the interrelated aspects of sound, knowledge, and power. The sound of the vina represents creativity, which is the power of consciousness to express itself. The mala also represents the power of sound, but in the form of the mantra. The book stands for the wisdom and knowledge transmitted through the word. The parrot that accompanies Matangi also has associations with speech.

KAMALA – The series of ten Mahavidyas begins with Kali and ends with Kamala. Both are aspects of the Divine Mother who are widely worshiped in their own right apart from the context of the Mahavidyas. In this way they differ from aspects such as Dhumavati, Bagalamukhi, and Matangi, who lack similar independence and a widespread popular following

ART TYPE: ‎Brass Handmade

MATERIAL: Brass

COLOR: Golden

PRODUCT WEIGHT:  12 Kg (Approx.)

PACKAGE CONTENT: 10 x Dus Mahavidiya Idol

Goddness maha kali :Height- 3 Inch

Weight : 1.450 kg

 Goddness Tara :Height- 3 Inch

Weight : 1.200  kg

 Goddness Bhuvaneshwari :Height- 3 Inch

Weight :  786 Gram

 Goddness  Tripura Sundari :Height- 3 Inch

Weight :  790 Gram

Goddness  chinnamasta :Height- 3 Inch

Weight :  1.6 Kilo Gram

 Goddness  bhairavi  :Height- 3 Inch

Weight : 789 Gram

 Goddness  dhumavati mata :Height- 3 Inch

Weight : 780 Gram

 Goddness  bagalamukhi  mata :Height- 3 Inch

Weight : 1.330 kilo Gram

 Goddness  matangi  mata : Height- 3 Inch

Weight : 1.010 kiloGram

Goddness  kamala mata :Height- 3 Inch

Weight : 1.340 kiloGram

NOTE:

Enhance your home by peace and harmony.

Very durable piece of art. Perfect gift option for friends, family or relatives. Also Perfect gift for Diwali, House Warming, Festive Occasions, Birthday, Anniversary, Office Inauguration, new venture etc.

Brass is well known for its grasping capacity. It grasps the divine spirit upto 30%, when compared to other metals. The spiritual vibrations are attracted towards these shining idols easily.